Still Life with Apples and a Pot of Primroses
Paul Cézanne

Still Life with Apples and a Pot of Primroses is a painting by Paul Cézanne that shows everyday objects arranged on a table. The apples look round and solid, but the table and objects seem slightly uneven, which makes the scene feel a little off balance. Cézanne painted this way to show that art doesn’t have to look exactly like real life to be meaningful. His approach helped inspire later artists to experiment with new ways of seeing and painting the world.

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Sunflowers
Vincent van Gogh

Sunflowers, painted in 1888 by Vincent van Gogh shows a simple vase of sunflowers presented with bold colors and thick, visible brushstrokes. Van Gogh used many shades of yellow to express warmth and strong emotion rather than realistic detail. The flowers appear energetic and almost alive, showing how the artist used color and texture to communicate feeling. This painting is a good example of Post-Impressionism and shows how van Gogh focused on personal expression instead of accuracy.

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The Thinker
Auguste Rodin

The Thinker by Auguste Rodin is a sculpture of a man sitting with his chin resting on his hand, deep in thought. The figure’s tense muscles and hunched posture show that thinking is hard, physical work, not just something that happens in the mind. Rodin used rough textures instead of smooth surfaces to make the sculpture feel more alive and emotional. Originally created as part of a larger work, The Gates of Hell, The Thinker is now one of the most famous sculptures in the world and is often seen as a symbol of human thought and creativity.

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Sunflowers
Vincent van Gogh

Sunflowers by Vincent van Gogh, is a bright still life of sunflowers in a vase that Van Gogh painted in Paris in late summer 1887. Van Gogh wasn’t trying to make a tiny photograph-like image — instead, he used thick brushstrokes and strong yellows to make the flowers feel full of life and energy. The bold color and texture show how he cared more about expressing feeling and mood than copying every little detail. These sunflower paintings were meant to celebrate nature’s simple beauty and were later admired as some of his most iconic works.

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Wheat Field with Cypresses
Vincent van Gogh

Van Gogh’s Wheat Field with Cypresses is an oil painting of a sun-soaked wheat field with tall, dark cypress trees rising against a bright sky. Notice wide horizontal bands of golden wheat, patches of green from olive trees, and an energetic sky filled with swirling clouds. The cypresses stand like vertical accents that break the landscape’s horizontals. Van Gogh painted this in 1889 while living at a mental asylum in Saint-Rémy, in southern France. Even though he struggled with his health, he was inspired by the beautiful Provençal countryside — especially the cypress trees, which he described as being like “a splash of black in a sunny landscape.” He told his brother Theo that this was one of his best summer landscapes.

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Fuji from Gotenyama at Shinagawa on the Tōkaidō
Katsushika Hokusai

Fuji from Gotenyama at Shinagawa on the Tōkaidō is a woodblock print by the Japanese artist Katsushika Hokusai. It is part of his famous series Thirty-six Views of Mount Fuji, which shows different scenes of everyday life with Mount Fuji in the background.

In this artwork, Hokusai shows people enjoying cherry blossoms on Gotenyama Hill in Shinagawa, which was a popular sightseeing spot during the Edo period. The hill overlooks the Tōkaidō, an important road that connected the cities of Edo (now Tokyo) and Kyoto. Travelers, families, and workers are gathered under blooming trees, relaxing and socializing. Even though Mount Fuji is the title subject, it appears smaller and farther away in the background.

Hokusai’s combination of landscape and daily life reminds viewers that even something as grand as Mount Fuji can be part of ordinary moments.

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Madame Roulin and Her Baby, 1888 Fitted T-Shirt
Vincent van Gogh

Madame Roulin and Her Baby is a warm, expressive portrait painted by Vincent van Gogh in 1888 while he was living in Arles in the south of France. The painting shows Augustine Roulin, the wife of the local postman, holding her infant daughter, Marcelle. The Roulin family became very close to Van Gogh during this time, almost like a substitute family while he was far from his own, and he painted several portraits of them because he admired their kindness and strong personalities. In this work, Augustine sits upright and calm, dressed in rich, colorful clothing, while baby Marcelle becomes the focal point with her round face and alert expression. Van Gogh uses thick, visible brushstrokes and bold, contrasting colors, which are characteristics of Post-Impressionism, to give the painting energy and emotion. Instead of focusing on tiny details, he emphasizes feeling and personality, making this simple scene of a mother and child feel lively and meaningful. Today, the painting is part of the collection at the Metropolitan Museum of Art, and it shows how important the Roulin family was to Van Gogh both personally and artistically.

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Self-Portrait
Paul Gauguin

Paul Gauguin’s Self-Portrait (1889) is more than just a picture of what he looks like — it’s a painting full of symbols. In the artwork, Gauguin includes a halo above his head, which makes him look almost like a saint, but he also places a snake and apples nearby, referencing the story of Adam and Eve in the Garden of Eden. These symbols suggest ideas about temptation, knowledge, good and evil, and maybe even rebellion. Gauguin’s face looks serious and thoughtful, and the flattened shapes and simplified forms show that he cared more about expressing ideas than making the image look perfectly real.

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The Impressionists

Claude Monet
Pierre-Auguste Renoir
Edgar Degas
Camille Pissarro
Berthe Morisot

Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot were key leaders of the Impressionist movement in the late 1800s. They changed art by focusing on modern life, everyday scenes, and especially the effects of light and color, rather than highly detailed historical or religious subjects. Using loose, visible brushstrokes and often painting outdoors, they tried to capture a fleeting moment or “impression” of a scene. Although critics originally mocked their work, these artists helped pave the way for modern art by showing that painting could express atmosphere, movement, and personal perspective instead of just realistic detail.

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The Great Wave (Under the Wave off Kanagawa)
Katsushika Hokusai

The Great Wave by Katsushika Hokusai is a famous Japanese woodblock print that shows a huge wave towering over small boats. The wave looks powerful and almost claw-like, making nature seem dangerous and unstoppable. In the background, Mount Fuji appears small and calm, creating a strong contrast with the chaos of the water. This artwork is part of the ukiyo-e tradition and shows how Japanese artists used bold lines, flat colors, and dramatic composition to tell a story. This work is from the series Thirty-six Views of Mount Fujidepicting the mountain from various perspectives.

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Roses
Vincent van Gogh

Roses by Vincent van Gogh is a still life painting from 1890 that shows a full bouquet of roses arranged in a simple vase. At first glance, the colors seem soft and calming, mostly pale greens and creamy whites, but originally the roses were actually a brighter pink that faded over time. Van Gogh painted this work near the end of his life while he was staying at an asylum in Saint-Remy-de-Provence, and it reflects a quieter, more peaceful mood compared to some of his more dramatic paintings. Even though the subject is simple, the brushstrokes are energetic and visible, which gives the flowers movement and texture. Instead of blending everything smoothly, he layered thick paint to make the bouquet feel alive and expressive. Today, the painting is part of the collection at the Metropolitan Museum of Art, where it stands as an example of how Van Gogh could turn an ordinary subject into something emotional and powerful through color and brushwork.

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Irises
Vincent van Gogh

Irises (1890) by Vincent van Gogh shows a group of bright blue and purple flowers growing close together. The painting uses strong outlines and thick brushstrokes, which make the flowers feel lively and full of movement. Van Gogh painted this while staying in a mental health asylum, and many people think the careful study of nature helped him feel calmer. This artwork is another example of Post-Impressionism and shows how van Gogh used color and texture to express emotion rather than paint realistically.

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